Two years before the play’s first performance, Athens had suffered a catastrophic defeat against Sparta and these wounds were still raw for the Athenian audience. This type of literature/drama/art offers a new and different avenue to the discussion of the purpose of war and the toll it takes on society. Nevertheless, even the perceived impossible can still shape the political discourse of the time. In this sense, the idea that women could withhold sex and change men’s minds through such an action is rather implausible-not least because Greek men had a variety of venues to appease their sexual desire. Do we have a corollary today? Are there films, television shows, music, podcasts, comedians, or YouTube channels that masquerade as entertainment, but are actively engaging with current political discourse?Ĭonsider that Greek comedies usually dealt with the absurd and the impossible. In this respect, the play enters the political discourse and becomes as influential as the speeches and rhetoric of the politicians themselves. Greek plays are not just about entertainment they are invitations to the audience to discuss political events. Linking the desire for sex and war, this is one of the earliest articulations of the role of sex in a male-dominated (which is to say patriarchal) society. In a style that breaks from the previous comedic play of Aristophanes, this play is a comedy with deep socio-political resonance. Led by Lysistrata, whose name means “Army Disbander,” the women of various cities, including Sparta and Thebes, withhold sex from the men in order to bring the war to a close. Originally performed in Athens in 411 BCE, Aristophanes’s play, Lysistrata, tells of the bold efforts of women to end the Peloponnesian War.

Aristophanes play lysistrata